Where were you amp settings — Headrush Prime
The Pink Floyd guitar tone for “Where were you”, dialed in for a Headrush Prime with a Yamaha Revstar RSS20. Studio version, Jeff Beck's Guitar Shop (1989) — note: 'Where Were You' is by Jeff Beck, not Pink Floyd
Fender Stratocaster (bridge pickup) -> ProCo Rat -> Marshall 100W Head / Lexicon reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 5 |
| Mid | 7 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 0 |
| Master | 7 |
01Black OP Distortion (ProCo Rat model)
Placed before amp block for core violin sustain
02Air Delay / Tape Delay block
FX loop / post-amp
03Air Reverb / Large Hall block
FX loop / post-amp; critical for the floating ambient bloom
Jeff Beck recorded this masterpiece with a Stratocaster into a ProCo Rat and a cranked Marshall, using heavy volume swells and whammy pitch-shaping rather than a pick. Your Yamaha Revstar RSS20 has humbuckers, which produce higher output and thicker low-mids than a Strat; rolling the guitar volume down to 6-7 and setting tone around 7 reins in the output and cleans up the transient attack. The Headrush JCM800 model running with moderate gain alongside the Black OP Rat block provides the smooth, endless compression required for the notes to sing.
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These settings are for a Headrush Prime. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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