Bring me to life amp settings — Headrush Prime
The Evanescence guitar tone for “Bring me to life”, dialed in for a Headrush Prime with a Sire S7. Studio version, Fallen (2003)
Jackson DKMG with EMG active humbuckers, Line 6 Flextone II HD through Line 6 4x12 cabinet, modeled high-gain amp voicing
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 4 |
| Treble | 7 |
| Presence | 5 |
| Reverb | 0 |
| Master | 6 |
01Noise Gate (built-in block)
Place before amp block to tighten palm mutes and eliminate hum from high gain
02Tube Screamer model (built-in block)
Use as clean boost into amp model for tighter low-end and enhanced pick attack - optional but authentic to early 2000s metal production
Ben Moody used a Line 6 modeler set to a high-gain modern voicing. The Headrush Prime's Rectifier model captures the same scooped-mid modern metal character. Your Sire S7 has passive single coils versus the original EMG actives in a Jackson, so gain is set at 7 rather than 5-6 to compensate for lower output and add thickness. Mid is set conservative at 4 to maintain the scooped character without disappearing.
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These settings are for a Headrush Prime. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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