Tone library / Evanescence / Bring me to life

Bring me to life amp settings — Headrush Prime

The Evanescence guitar tone for “Bring me to life”, dialed in for a Headrush Prime with a Sire S7. Studio version, Fallen (2003)

Original rig

Jackson DKMG with EMG active humbuckers, Line 6 Flextone II HD through Line 6 4x12 cabinet, modeled high-gain amp voicing

Thick scooped modern metal rhythm with tight low-end, aggressive upper mids, and controlled high-gain saturation
Amp settings — Headrush Prime
CHANNELMesa Rectifier model (Recto Red Modern or similar dual/triple rec voicing)BRIGHToffBOOSToff
GAIN 7 BASS 6 MID 4 TREBLE 7 PRESENCE 5 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain7
Bass6
Mid4
Treble7
Presence5
Reverb0
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Noise Gate (built-in block)

Place before amp block to tighten palm mutes and eliminate hum from high gain

Threshold 4 · Decay 3

02Tube Screamer model (built-in block)

Use as clean boost into amp model for tighter low-end and enhanced pick attack - optional but authentic to early 2000s metal production

Drive 1 · Tone 6 · Level 7
Why these settings

Ben Moody used a Line 6 modeler set to a high-gain modern voicing. The Headrush Prime's Rectifier model captures the same scooped-mid modern metal character. Your Sire S7 has passive single coils versus the original EMG actives in a Jackson, so gain is set at 7 rather than 5-6 to compensate for lower output and add thickness. Mid is set conservative at 4 to maintain the scooped character without disappearing.

PRO TIPThe left and right rhythm guitars on the recording use the same tone but one side has boosted lows and highs creating a subtle stereo width trick - if double-tracking, try adding a low shelf boost at 100Hz and high shelf at 4kHz on one side only.

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These settings are for a Headrush Prime. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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