Confort be numb amp settings — Line 6 HX Stomp
The Pink floyd guitar tone for “Confort be numb”, dialed in for a Line 6 HX Stomp with a ESP Eclipse II. Studio version, The Wall (1979) - Outro solo
1969 Black Strat (DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> 1973 Electro-Harmonix 'Ram's Head' Big Muff Pi -> 1974 Hiwatt DR103 100W Head into WEM 4x12 (Fane Crescendo) blended with Yamaha RA-200 rotary cabinet and studio tape delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Mid | 5 |
| Treble | 5 |
| Presence | 6 |
| Reverb | 2 |
| Master | 6 |
01Red Squeeze (HX Stomp Comp Block)
HX Stomp internal block (Dyna Comp emulation)
02Triangle Fuzz (HX Stomp Fuzz Block)
HX Stomp internal block (Big Muff emulation)
03Ibanez Tube Screamer TS9
Used as clean mid-boost after fuzz to add cut and smoothness
04Chorus (HX Stomp Mod Block)
HX Stomp internal block (simulates Yamaha RA-200 rotary cabinet)
05Transistor Tape (HX Stomp Delay Block)
HX Stomp internal block (approx. 470ms tape delay)
The ESP Eclipse II humbuckers have thicker low-mids and higher output than Gilmour's single-coil Strat, so the Big Muff Tone is rolled back slightly to 4 and the amp gain is kept low at 2 to avoid mud. The Tube Screamer is placed with Drive at 0 to restore the focused upper-midrange punch typical of Gilmour's Alembic preamp/Fane speaker combination without adding unwanted gain stacking. The WhoWatt 100 amp model is set clean with generous headroom to serve as a high-fidelity pedal platform.
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These settings are for a Line 6 HX Stomp. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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