Comfortably Numb amp settings — Orange Crush 20
The Pink Floyd guitar tone for “Comfortably Numb”, dialed in for a Orange Crush 20 with a Squier Affinity Telecaster. Studio version, The Wall (1979) — Outro Solo
1969 Black Stratocaster (DiMarzio FS-1 bridge pickup) -> EHX Ram's Head Big Muff Pi -> MXR Dyna Comp -> Pete Cornish ST-2 Boost -> Hiwatt DR103 100W (linked channels) + Yamaha RA-200 rotary cabinet
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 6 |
| Treble | 5 |
| Master | 6 |
01Ibanez Tube Screamer TS9
Used as a pre-amp boost into the amp's Dirty channel to push sustain and round the mids (run direct into amp input)
02EHX Ram's Head Big Muff Pi
RECOMMENDED — not currently owned (place before TS9 on Clean channel for true album fuzz)
03Boss DD-7 Digital Delay
Analog or Standard mode set to ~370ms dotted-eighth/quarter repeats (run direct into amp input)
Since you lack the core Big Muff fuzz, the Orange Crush 20 Dirty channel is set to gain 7 while the TS9 acts as a mid-focused boost to simulate Gilmour's smooth, violin-like sustain. The Telecaster bridge single coil has more top-end bite than Gilmour's fat DiMarzio FS-1, so the amp treble is held at 5 and guitar tone rolled back to 8 to avoid harshness. If you acquire a Big Muff, switch the amp to the Clean channel with gain at 2 and run the Muff into the TS9.
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These settings are for a Orange Crush 20. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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