Comfortably numb amp settings — Mooer GE100
The Pink Floyd guitar tone for “Comfortably numb”, dialed in for a Mooer GE100 with a Gibson Flying V. Studio version, The Wall (1979) — Outro Solo (Signature Part)
1969 Black Strat (DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> 1974 EHX 'Ram's Head' Big Muff Pi -> 100W Hiwatt DR103 paired with Yamaha RA-200 rotating speaker
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 6 |
| Treble | 5 |
| Reverb | 4 |
| Master | 7 |
01Mooer GE100 Comp Block
Even sustain and pick attack definition before fuzz
02Mooer GE100 Muff Fuzz Block
Primary gain source; double-gain prevention drops amp model gain to 2
03Mooer GE100 Mod Block (Flanger/Rotary)
Emulates the Yamaha RA-200 rotating speaker cabinet shimmer
04Mooer GE100 Delay Block (Analog/Digital)
Set to roughly 370ms to replicate the studio tape delay space
The Gibson Flying V's humbucker is hotter and darker than Gilmour's single-coil Strat, so the tone knob is rolled slightly down to 8 while the fuzz tone is kept warm at 4 to prevent harshness. Because the GE100's Muff block provides the heavy saturation, the amp model is set to a clean Hiwatt-style platform with gain at 2 to avoid muddy double-distortion. The onboard mod block delivers the subtle swirling motion originally provided by Gilmour's Yamaha RA-200 rotating cabinet.
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These settings are for a Mooer GE100. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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