Comfortably Numb amp settings — Marshall Valvestate 8080
The Pink Floyd guitar tone for “Comfortably Numb”, dialed in for a Marshall Valvestate 8080 with a Jay Turser Telecaster JT-LT-N. Studio version, The Wall (1979) — Outro Solo
1969 Black Stratocaster (DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> EHX Ram's Head Big Muff Pi -> Pete Cornish ST-2 Boost -> Hiwatt DR103 100W (linked channels) + Yamaha RA-200 rotary cabinet
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 6 |
| Mid | 7 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 3 |
| Master | 5 |
01Behringer CS100 Compressor Sustainer
Placed first in chain to add compression and infinite singing sustain into the amp drive
02Artec Chorus CHR3
Set subtle and slow to simulate Gilmour's Yamaha RA-200 rotating speaker cabinet
03Ibanez Soundtank DL5 Digital Delay
Set for ~370ms warm repeats to match the studio quarter-note delay (run direct into amp input or FX loop)
04Electro-Harmonix Ram's Head Big Muff Pi
RECOMMENDED — not currently owned
Because you do not own a Big Muff fuzz, the Valvestate 8080's OD2 channel is driven hard at gain 8 with Contour set around 4 to replicate the saturated, singing lead character. The Telecaster bridge pickup is brighter than Gilmour's fat DiMarzio FS-1, so the guitar tone knob is rolled back to 8 and amp treble is kept moderate at 5. If you acquire a Ram's Head Big Muff, switch the amp to the Clean channel with gain at 2 and run the fuzz directly in front.
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These settings are for a Marshall Valvestate 8080. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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