Comfortably numb amp settings — Marshall Studio Vintage SV20H
The Pink Floyd guitar tone for “Comfortably numb”, dialed in for a Marshall Studio Vintage SV20H with a Epiphone Les Paul Standard 50s. Studio version outro solo, The Wall (1979)
Fender Stratocaster ('Black Strat' with DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> EHX 'Ram's Head' Big Muff Pi -> Hiwatt DR103 100W Head & Yamaha RA-200 rotary cabinet
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Mid | 7 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 0 |
| Master | 4 |
01Boss MT-2 Metal Zone
Gain source — dialed smooth and mid-focused to emulate a Ram's Head Big Muff
02Reverb
Run direct into amp input — set for a lush hall-style ambient wash
03EHX Ram's Head Big Muff Pi
RECOMMENDED — not currently owned; key to Gilmour's signature violin sustain
The SV20H is set to its clean Normal input at low gain to act as a high-headroom pedal platform mimicking Gilmour's Hiwatt DR103. Using your MT-2 as the primary gain source, the parametric mid controls are dialed to boost low-mids around 500Hz while softening harsh highs, turning the pedal's clipping into smooth Muff-style sustain. The Les Paul's tone knob is backed off slightly to smooth out humbucker bite and achieve that singing, vocal violin quality. Clean verse: bypass the MT-2 and switch to the neck pickup.
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These settings are for a Marshall Studio Vintage SV20H. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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