Tone library / Phil Wickham / I Believe

I Believe amp settings — Headrush Prime

The Phil Wickham guitar tone for “I Believe”, dialed in for a Headrush Prime with a Gibson Les Paul Modern. Studio album cut, 'I Believe' (2023) — main intro and chorus lead riff

Original rig

Vox AC30 Top Boost / Matchless DC30 platform, Klon Centaur / transparent overdrive, dotted-eighth digital delay, ambient hall reverb, Telecaster/Gretsch electrics

Anthemic modern worship lead tone with sparkling top end, smooth low-gain overdrive sustain, and rhythmic dotted-eighth delay trails
Amp settings — Headrush Prime
CHANNEL'67 AC30 TB (Top Boost) amp model + 2x12 Silver Bell IRBRIGHToffBOOSToff
GAIN 4 BASS 5 MID 6 TREBLE 7 PRESENCE 6 REVERB 0 MASTER 8
KnobSetting (0–10)
Gain4
Bass5
Mid6
Treble7
Presence6
Reverb0
Master8
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Klon Centaur model (Clon Chiron)

In front of amp model as transparent mid-push and primary drive

Gain 3 · Treble 6 · Output 7

02Digital Delay model

Post-amp/FX loop; set delay tempo division to dotted-eighth note (3/16) synced to song BPM (138 BPM)

Time 7 · Feedback 4 · Mix 4

03Ambient Hall Reverb model

Post-amp/FX loop; wide stereo space without washing out the rhythmic delay repeats

Decay 6 · Tone 5 · Mix 3
Why these settings

The original cut features lower-output single-coil chime (Tele/Gretsch style), so on your Les Paul Modern humbuckers, amp gain is set conservatively to 4 and the Klon model gain to 3 to prevent thick saturation. Treble and Cut/Presence are pushed to 6-7 to restore the crisp top-end bite characteristic of modern worship lead lines. If your Les Paul Modern has coil-split push-pull pots engaged on the bridge pickup, leave amp settings as-is for an even closer tonal match.

PRO TIPLock the Headrush Prime's master tempo to exactly 138 BPM so the dotted-eighth repeats bounce cleanly between the 16th-note rhythm of the lead riff without blurring the notes.

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