Floods amp settings — Marshall MG30CFX

The Pantera guitar tone for “Floods”, dialed in for a Marshall MG30CFX with a Squier Affinity Telecaster. Studio album version, The Great Southern Trendkill (1996) — iconic solo tone

Original rig

Washburn Dime 333 / ML (Bill Lawrence L-500XL) -> Furman PQ-3 -> MXR 6-Band EQ -> Randall Century 200 II Solid-State Head -> Randall 4x12 Jaguar cabs

High-gain, razor-sharp solid-state saturation with mid-boosted preamp front end scooped at the power stage, smooth sustaining decay, and studio delay/reverb

Amp settings — Marshall MG30CFX

CHANNELCleanBOOSToff

Knob	Setting (0–10)
Gain	2
Bass	7
Mid	3
Treble	7
Reverb	5
Master	5

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Guitar

PICKUPbridge TONE7 VOLUME10

Signal chain

01Jim Dunlop Cry Baby GCB95

Bypassed for main rhythm/solo body; engage for expressive vocal sweeps during lead passages

02Behringer HD300 Heavy Distortion

GAIN SOURCE: Provides the aggressive, tight high-gain saturation into the clean channel

Dist 8 · Tone 7 · Bottom 7 · Gain Boost 6 · Level 6

Why these settings

The Behringer HD300 acts as your dedicated gain source into the clean channel to emulate Dimebag's searing solid-state Randall clipping without double-gain mud. Because the Squier Telecaster single-coil is significantly brighter and thinner than Dime's hot Bill Lawrence L-500XL humbucker, the guitar tone knob is pulled back to 7 and the pedal's Bottom and amp Bass are bumped to add necessary low-end body. The MG30CFX onboard digital reverb is dialed in to simulate the lush, ambient space heard on the iconic isolated solo track. Clean outro: bypass the HD300 pedal, switch to neck pickup.

PRO TIPDimebag achieved his singing sustain and liquid pick attack by picking extremely hard right next to the bridge while using wide, fast wrist vibrato to keep notes sustaining into smooth harmonic feedback.

Get this tone on your amp

These settings are for a Marshall MG30CFX. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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