Tone library / Pantera / Floods

Floods amp settings — Marshall JCM800 2203

The Pantera guitar tone for “Floods”, dialed in for a Marshall JCM800 2203 with a Gibson Les Paul Standard 60s. Studio version, The Great Southern Trendkill (1996)

Original rig

Randall RG-100ES solid-state head, Washburn Dime 333 with Bill Lawrence L-500XL (bridge), Furman PQ-3 parametric EQ, MXR 6-band EQ, Rocktron Hush noise gate

Scooped, tight, razor-sharp lead with singing sustain and articulate high-end bite
Amp settings — Marshall JCM800 2203
CHANNELHigh Gain (single channel)BRIGHToff
GAIN 7 BASS 5 MID 2 TREBLE 7 PRESENCE 5 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain7
Bass5
Mid2
Treble7
Presence5
Reverb0
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01MXR 6-Band EQ (M109)

RECOMMENDED — not currently owned. Essential for Dimebag's scooped tone sculpting. Run in front of amp. Boost highs, cut low-mids.

100Hz 4 · 200Hz 3 · 400Hz 2 · 800Hz 3 · 1.6kHz 6 · 3.2kHz 7

02Noise Gate (ISP Decimator or similar)

RECOMMENDED — not currently owned. Dimebag used tight gating to keep the scooped tone defined and prevent mud.

Threshold 6
Why these settings

The JCM800 is mid-forward where the Randall RG-100 is naturally scooped and tighter, so mid is dropped to 2 to replicate Dimebag's V-curve EQ. Your Les Paul's PAF-style pickups are warmer and lower-output than the hot L-500XL, so treble stays at 7 and presence is pulled to 5 to avoid the 800's natural bite becoming ice-picky. Bass is reduced from the original's 6-7 because the 800's low-end is fuller than the Randall's tight solid-state response.

PRO TIPDimebag picked extremely hard directly over the bridge pickup pole pieces for that razor attack — angle your pick sharply and dig in to get the harmonic squeal and clarity that defines this solo's singing quality.

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These settings are for a Marshall JCM800 2203. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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