Tone library / Pantera / Cowboys from hell

Cowboys from hell amp settings — Fender Mustang lt50

The Pantera guitar tone for “Cowboys from hell”, dialed in for a Fender Mustang lt50 with a ESP LTD KH-202 Kirk Hammett. Studio version, Cowboys from Hell (1990)

Original rig

Randall RG-100ES solid-state head, Dean ML with Bill Lawrence L-500XL pickup, MXR 6-Band EQ (key to tone), Furman PQ-4 Parametric EQ, Boss Noise Gate

Tight scooped mids, razor-sharp attack, crushing palm-muted low end, aggressive high-gain saturation with articulate note separation
Amp settings — Fender Mustang lt50
CHANNELMetal 2000 amp model
GAIN 8 BASS 7 MID 3 TREBLE 7 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain8
Bass7
Mid3
Treble7
Reverb0
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Boss GE-7 Equalizer

Run in front of amp input - this pedal is CRITICAL to the Dimebag tone. The mid-scoop at 400-800Hz and boost at lows/highs defines the sound. Dimebag's MXR 6-Band EQ was essential to his rig.

100Hz 7 · 200Hz 6 · 400Hz 3 · 800Hz 2 · 1.6kHz 4 · 3.2kHz 7 · 6.4kHz 6 · Level 6
Why these settings

The Mustang LT50's Metal 2000 model approximates high-gain solid-state voicing closest to Dimebag's Randall. The Randall RG-100ES was famously scooped with tight lows - your GE-7 replicates his MXR 6-Band which was 'detrimental' (his word) to his tone. Mid at 3 on the amp plus the 400-800Hz cut on the EQ creates the signature scoop. Your KH-202's EMG-designed pickups are hotter than Dimebag's passive L-500XL, so gain stays at 8 rather than 9.

PRO TIPDimebag's attack came from extremely precise palm muting positioned closer to the bridge than typical - practice muting right at the saddles for that machine-gun chug articulation, and pick aggressively with a heavy pick angled slightly.

Get this tone on your amp

These settings are for a Fender Mustang lt50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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