Cowboys from hell amp settings — Fender Mustang lt50
The Pantera guitar tone for “Cowboys from hell”, dialed in for a Fender Mustang lt50 with a ESP LTD KH-202 Kirk Hammett. Studio version, Cowboys from Hell (1990)
Randall RG-100ES solid-state head, Dean ML with Bill Lawrence L-500XL pickup, MXR 6-Band EQ (key to tone), Furman PQ-4 Parametric EQ, Boss Noise Gate
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 7 |
| Mid | 3 |
| Treble | 7 |
| Reverb | 0 |
| Master | 6 |
01Boss GE-7 Equalizer
Run in front of amp input - this pedal is CRITICAL to the Dimebag tone. The mid-scoop at 400-800Hz and boost at lows/highs defines the sound. Dimebag's MXR 6-Band EQ was essential to his rig.
The Mustang LT50's Metal 2000 model approximates high-gain solid-state voicing closest to Dimebag's Randall. The Randall RG-100ES was famously scooped with tight lows - your GE-7 replicates his MXR 6-Band which was 'detrimental' (his word) to his tone. Mid at 3 on the amp plus the 400-800Hz cut on the EQ creates the signature scoop. Your KH-202's EMG-designed pickups are hotter than Dimebag's passive L-500XL, so gain stays at 8 rather than 9.
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These settings are for a Fender Mustang lt50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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