Tone library / Stevie Ray Vaughn / Texas flood

Texas flood amp settings — Fender Mustang LT50

The Stevie Ray Vaughn guitar tone for “Texas flood”, dialed in for a Fender Mustang LT50 with a Squier ii Stratocaster, little 59s neck and middle, invader humbucker bridge. Studio version, Texas Flood (1983) - Main Riff & Solo

Original rig

1959/1962 Fender Stratocaster ('Number One') + 1964 Fender Vibroverb 1x15 combo & Jackson Browne's Dumbleland Special 150W + Ibanez TS9 Tube Screamer

Fat, dynamic Texas blues edge-of-breakup with punchy low-mids, glassy top end, and singing sustain
Amp settings — Fender Mustang LT50
CHANNEL'65 Twin (or '65 Deluxe) amp modelBRIGHToffBOOSToff
GAIN 6 BASS 4 MID 6 TREBLE 7 REVERB 3 MASTER 6
KnobSetting (0–10)
Gain6
Bass4
Mid6
Treble7
Reverb3
Master6
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Guitar
PICKUPneck TONE9 VOLUME9
Signal chain

01Onboard Overdrive Block (Greenbox / TS-style)

Mustang LT50 onboard Stomp block

Level 8 · Drive 3 · Tone 7

02Onboard Spring Reverb Block

Mustang LT50 onboard Reverb block

Level 3 · Decay 4 · Dwell 4
Why these settings

The Little '59 neck pickup has more low-end fullness and higher output than SRV's vintage single-coils, so bass is cut to 4 while treble is bumped to 7 to retain glassy single-coil cut. The onboard TS-style Greenbox boost drives the Fender amp model into sweet Texas compression without requiring external pedals. The Mustang LT50 faceplate lacks a dedicated presence knob, so upper-register sparkle is handled directly via treble and the drive tone control.

PRO TIPDig in hard with a heavy pick using the rounded shoulder rather than the sharp point, and roll your guitar volume back to 8 for clean rhythm verses before opening wide for the stinging turnaround licks.

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These settings are for a Fender Mustang LT50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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