Wonderwall amp settings — Marshall JCM900
The Oasis guitar tone for “Wonderwall”, dialed in for a Marshall JCM900 with a Fender Player Stratocaster. Live at Wembley Stadium, Familiar to Millions (2000) / late 90s live era
Fender Telecaster / Takamine Acoustic / Gibson Les Paul into Marshall JCM900 Dual Reverb & Orange stacks, Boss DD-3, TS-style boost
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 6 |
| Mid | 7 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 3 |
| Master | 5 |
01Maxon OD808 Overdrive
Use to push Channel A into saturated chime and compensate for Strat single-coil output
02Boss Digital delay dd-3
Set to ~350ms subtle slapback/fill (run direct into amp input or FX loop)
The JCM900 Channel A pushed around 6 gives Noel's classic edge-of-breakup foundation. Because a Fender Stratocaster has thinner single coils compared to Noel's humbuckers and semi-hollows, the Maxon OD808 is engaged with low drive and high level to thicken low-mids, while the amp treble and presence are pulled back slightly to prevent single-coil harshness.
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These settings are for a Marshall JCM900. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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