Supersonic amp settings — Fender Hot Rod Deluxe IV
The Oasis guitar tone for “Supersonic”, dialed in for a Fender Hot Rod Deluxe IV with a Squier Bullet Stratocaster. Studio version, Definitely Maybe (1994) — recorded as a demo in 11 hours, December 1993
Noel: Epiphone Les Paul Standard → Watkins Dominator MKIII (lead). Bonehead: Gibson SG → Marshall JCM900 (rhythm). Lexicon PCM70 reverb on vocals, Roland Space Echo used elsewhere on sessions.
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 7 |
| Treble | 5 |
| Presence | 6 |
| Reverb | 2 |
| Master | 5 |
01Tube Screamer (TS9) or clone
RECOMMENDED — not currently owned. Essential for pushing the Fender into Marshall-like midrange grind. Without this, the Hot Rod Deluxe stays too clean and scooped to nail the Oasis bark.
The original used humbuckers (Les Paul, SG) into British amps (Marshall, Watkins) — mid-forward, warm saturation. Your Fender is naturally scooped and bright, and your Strat's single coils are thinner and brighter than humbuckers. Compensated by pushing mids +2 vs typical Oasis settings, cutting treble -3, and pulling bass -3 to avoid flub. The Hot Rod Deluxe's drive channel is usable but needs a TS-style pedal in front to add the midrange hump and push it into proper crunch — without it, you'll get fizzy Fender breakup instead of that chewy British grind.
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These settings are for a Fender Hot Rod Deluxe IV. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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