The Man Who Sold The World electrico amp settings — Line 6 Pod Go
The Nirvana guitar tone for “The Man Who Sold The World electrico”, dialed in for a Line 6 Pod Go with a Epiphone Les Paul Studio. MTV Unplugged in New York (November 18, 1993) — the iconic acoustic-electric performance
Martin D-18E acoustic-electric with Bartolini 3AV pickup, Boss DS-2 Turbo Distortion (used on acoustic for grit), Electro-Harmonix Small Clone chorus, Fender Twin Reverb (as monitor/DI). Signal: guitar → DS-2 → Small Clone → Twin Reverb.
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 5 |
| Mid | 6 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 2 |
01Scream 808 block (Tube Screamer model — approximates DS-2 low-gain grit on acoustic-electric)
DS-2 was used at low gain for subtle grit, not heavy distortion. TS-style at minimum drive approximates this warmth.
02Gray Flanger block (set for chorus duty — approximates Small Clone)
Small Clone is a simple chorus with Rate/Depth only. Use flanger with zero regen or the 70s Chorus block if available. Subtle shimmer, not heavy warble.
Original was acoustic-electric through a clean Twin with mild DS-2 grit and Small Clone chorus. Your Les Paul humbuckers are hotter and warmer than the Martin's piezo/magnetic pickup — roll tone to 6 to soften the attack, use neck pickup for warmth. Gain stays low (3) because the DS-2 was providing only subtle edge, not distortion. The 808 Scream at drive 2 adds that hint of grit without mud.
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