In Bloom amp settings — Yamaha GA15II
The Nirvana guitar tone for “In Bloom”, dialed in for a Yamaha GA15II with a Yamaha Pacifica 012. Studio version, Nevermind (1991) — recorded at Sound City Studios with producer Butch Vig
Mesa Boogie Studio .22 preamp + Fender Bassman (chorus), Fender Mustang, Boss DS-1 distortion
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 5 |
| Treble | 4 |
| Presence | 0 |
| Reverb | 0 |
| Master | 5 |
01Boss DS-1 Distortion
RECOMMENDED — not currently owned. Essential for this tone. The DS-1 is the primary gain source; without it, the Yamaha GA15II cannot achieve the correct saturation character. Budget clones work fine.
The GA15II is a solid-state practice amp with limited headroom and a bright, thin voicing compared to the Mesa's warm tube compression. Gain is pushed to 7 to compensate for no tube saturation, bass raised to 6 to add the low-mid thickness Cobain's rig had naturally, and treble dropped to 4 because the GA15II gets harsh in the upper mids where the Mesa stays smooth. Without the DS-1, you will get generic crunch, not the specific compressed-yet-open grunge character of this recording.
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These settings are for a Yamaha GA15II. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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