Come As You Are amp settings — Vox AC10C1
The Nirvana guitar tone for “Come As You Are”, dialed in for a Vox AC10C1 with a Ibanez GIO GRG170DX. Studio version, Nevermind (1991) — clean amp with chorus-dominant tone
1965 Fender Jaguar (DiMarzio Super Distortion bridge, PAF neck), Mesa/Boogie Studio Preamp + Crown Power Base-2 power amp, EHX Small Clone chorus (depth switch UP, rate ~12 o'clock), Boss DS-1 (bypassed for this song's main riff)
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 5 |
| Treble | 5 |
| Reverb | 2 |
| Master | 4 |
01Boss CE-2W Chorus
Set to CE-2 mode (vintage). This replaces the Small Clone — CE-2W is warmer than the Small Clone's slightly more metallic shimmer, so push depth higher to compensate. The chorus defines this entire tone.
02Boss DD-3T
Optional — adds subtle space. Kurt didn't use delay on this track, but a touch of short slapback (Mode: 800ms, mixed low) can thicken the CE-2W to closer approximate the Small Clone's depth. Bypass if you want strict accuracy.
The AC10's Class A chime is brighter and more articulate than Kurt's Mesa preamp, which was warmer and slightly compressed. I've kept treble conservative at 5 (vs the referenced 6) to avoid ice-pick highs through the Vox. Your GRG170DX has hotter ceramic humbuckers vs Kurt's single-coil Jaguar, so the neck pickup with tone rolled to 7 tames the output and adds the necessary softness. Gain stays low—this is a CLEAN tone with chorus, not crunch.
Get this tone on your amp
These settings are for a Vox AC10C1. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
Get ToneAdapt on Google PlaySong, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.