Supermassive Black Hole amp settings — Marshall MG30CFX
The Muse guitar tone for “Supermassive Black Hole”, dialed in for a Marshall MG30CFX with a Gibson Les Paul Studio. Studio version, Black Holes and Revelations (2006)
Marshall JCM2000 DSL100, Manson MA EVO with onboard fuzz, Electro-Harmonix Big Muff Pi (DI'd), DigiTech Whammy
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 5 |
| Mid | 5 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 6 |
01Tank G (Fuzz/Distortion)
This is your Big Muff substitute — the Tank G's fuzz circuit handles the snarling sustain. Run into amp input, amp stays clean to avoid mud.
02DigiTech Whammy (or pitch shifter)
RECOMMENDED — not currently owned. Set to +1 octave for the squealing post-chorus bends. Essential for authenticity.
Original used DSL100's high-gain channel with fuzz DI'd separately. Your MG30CFX's OD1 is voiced brighter and thinner than a DSL, so I dropped amp gain to 3 (letting the Tank G provide ALL the dirt) and pushed mids +1 from the original's scooped 4 to compensate for the MG's weaker mid presence. Your Les Paul's humbuckers are hotter than Bellamy's Manson, so the fuzz will saturate faster — back off guitar volume to 8 if it gets too compressed.
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These settings are for a Marshall MG30CFX. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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