Tone library / Michael Jackson / Smooth Criminal

Smooth Criminal amp settings — Line 6 POD Go

The Michael Jackson guitar tone for “Smooth Criminal”, dialed in for a Line 6 POD Go with a Squier Affinity Stratocaster. Studio version, Bad (1987) — rhythm guitar track by David Williams

Original rig

Fender Stratocaster (in-between position) direct-injected (DI) into Neve/SSL console with studio optical compression and high-pass EQ

Ultra-clean, percussive, snappy funk rhythm with heavy compression and studio polish
Amp settings — Line 6 POD Go
CHANNELStudio Tube Preamp (or Essex A30 / Jazz Rivet clean block with matched IR)BRIGHTonBOOSToff
GAIN 2 BASS 4 MID 6 TREBLE 7 PRESENCE 6 REVERB 2 MASTER 8
KnobSetting (0–10)
Gain2
Bass4
Mid6
Treble7
Presence6
Reverb2
Master8
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Guitar
PICKUPneck+middle TONE10 VOLUME10
Signal chain

01Deluxe Comp (Line 6 Studio Compressor block)

In front of amp model block — essential for that percussive studio squish

Threshold 6 · Ratio 7 · Attack 3 · Release 5 · Level 7

02Parametric EQ (Line 6 EQ block)

High-pass around 100Hz and boost 2.5kHz snap

Low Cut 4 · High Mid 7 · High Cut 2 · Level 5
Why these settings

David Williams recorded his rhythmic funk parts DI straight into the console with aggressive studio compression rather than a traditional mic'd amplifier. On the POD Go, running a Studio Pre or clean amp block with the Deluxe Comp and bright EQ reproduces the exact glassy, ultra-tight snap on single-coil Strat pickups. Keep amp gain low at 2 to preserve clean headroom and prevent any clipping during heavy strumming.

PRO TIPUse position 4 (neck + middle) on your Strat and rest the heel of your picking hand lightly near the bridge for rhythmic staccato mutes while keeping the wrist loose and snappy.

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These settings are for a Line 6 POD Go. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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