Smooth Criminal amp settings — Line 6 POD Go
The Michael Jackson guitar tone for “Smooth Criminal”, dialed in for a Line 6 POD Go with a Squier Affinity Stratocaster. Studio version, Bad (1987) — rhythm guitar track by David Williams
Fender Stratocaster (in-between position) direct-injected (DI) into Neve/SSL console with studio optical compression and high-pass EQ
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 4 |
| Mid | 6 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 2 |
| Master | 8 |
01Deluxe Comp (Line 6 Studio Compressor block)
In front of amp model block — essential for that percussive studio squish
02Parametric EQ (Line 6 EQ block)
High-pass around 100Hz and boost 2.5kHz snap
David Williams recorded his rhythmic funk parts DI straight into the console with aggressive studio compression rather than a traditional mic'd amplifier. On the POD Go, running a Studio Pre or clean amp block with the Deluxe Comp and bright EQ reproduces the exact glassy, ultra-tight snap on single-coil Strat pickups. Keep amp gain low at 2 to preserve clean headroom and prevent any clipping during heavy strumming.
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These settings are for a Line 6 POD Go. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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