Master Of Puppet amp settings — Fender Hot Rod Deluxe IV
The Metallica guitar tone for “Master Of Puppet”, dialed in for a Fender Hot Rod Deluxe IV with a Ibanez GIO GRG170DX. Studio version, Master of Puppets (1986)
Jackson King V with EMG 81/60 → Mesa Boogie Mark IIC+ (Lead channel, gain 9-10, mid 3-4, bass 8, treble 8, presence 7) slaved into modified Marshall JCM800 100W → Marshall 4×12. Aphex EQF-1 parametric EQ in effects loop.
| Knob | Setting (0–10) |
|---|---|
| Gain | 9 |
| Bass | 8 |
| Mid | 2 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 0 |
| Master | 5 |
The Hot Rod Deluxe is Fender-voiced (scooped mids, bright treble shelf) vs the Mesa's mid-forward lead channel, so mid is set to 2 (vs original's 3-4) to maintain the scoop without losing all definition. Bass is kept at 8 to match the original's low-end authority; treble is pulled to 7 (vs 8) because the HRD's treble control is brighter than the IIC+. Presence at 6 (vs 7) prevents ice-pick fizz on the Fender's power section. The Drive channel is pushed to its limit (gain 9) to approximate the cascaded preamp stages, but this amp cannot replicate the IIC+ + JCM800 slave rig's saturated compression — the tone will be thinner and less authoritative. A high-gain preamp pedal (e.g. Friedman BE-OD, Revv G3) into the Clean channel would get closer.
Get this tone on your amp
These settings are for a Fender Hot Rod Deluxe IV. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
Get ToneAdapt on Google PlaySong, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.