For Whom the Bell Tolls amp settings — Peavey MAX 100
The Metallica guitar tone for “For Whom the Bell Tolls”, dialed in for a Peavey MAX 100 with a Epiphone Les Paul Classic. Studio version, Ride the Lightning (1984) - Main heavy rhythm riff
1984 Gibson Explorer (Dirty Fingers humbuckers) / 1974 Gibson Flying V -> Ibanez TS9 -> Marshall JCM800 2203 -> Marshall 1960B 4x12
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 5 |
| Mid | 6 |
| Treble | 7 |
| Master | 5 |
01ProCo Rat 2 or Boss DS-1
RECOMMENDED — not owned (Bass amps have clean, full-range voicings, so a dedicated high-gain distortion pedal in front is the best way to get authentic thrash saturation)
The Peavey MAX 100 is a bass combo amplifier, so its clean channel lacks the naturally compressed mid bark of a cranked Marshall JCM800. Engage the onboard Overdrive (TransTube circuit) with gain pushed to 8 and keep the Contour/Mid-Shift flat to retain the punchy 800Hz-1.5kHz rhythm bite. Adding an external high-gain distortion pedal in front is the true fix to replicate James Hetfield's aggressive saturation through a bass speaker.
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These settings are for a Peavey MAX 100. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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