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Enter Sandman amp settings — Marshall Plexi 1959

The Metallica guitar tone for “Enter Sandman”, dialed in for a Marshall Plexi 1959 with a Washburn WG Series. Studio version, Metallica (The Black Album, 1991), main riff section

Original rig

ESP MX-220 with EMG 81 bridge pickup through Mesa/Boogie Mark IIC++ into Marshall 4x12 cabinet. Bob Rock production with tight, compressed studio processing.

Tight and percussive high-gain, aggressive palm muting, chunky low end with articulate attack, modern metal clarity, dry and focused with no ambience
Amp settings — Marshall Plexi 1959
CHANNELHigh Treble input, jumpered to Normal for thicknessBRIGHToff
GAIN 10 BASS 6 MID 5 TREBLE 6 PRESENCE 5 REVERB 0 MASTER 7
KnobSetting (0–10)
Gain10
Bass6
Mid5
Treble6
Presence5
Reverb0
Master7
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Tube Screamer style overdrive (TS9 or clone)

RECOMMENDED — not currently owned. Essential for tightening low end and adding gain saturation the Plexi cannot reach alone. Run into a cranked Plexi for the tight metal response.

Drive 2 · Tone 6 · Level 7
Why these settings

The Plexi is a mid-forward crunch amp that cannot reach Mark IIC++ saturation levels on its own — even maxed it stays in classic rock territory. A TS-style pedal in front is mandatory: it tightens the bass, adds midrange focus, and pushes the preamp into metal saturation. Mids stay at 5 instead of the Mesa's scooped 4.5 because the Plexi's natural mid-hump already provides cut. Your Washburn's passive humbuckers have less compression than EMG 81s, so keep gain maxed and let the Tube Screamer do the heavy lifting.

PRO TIPPalm mute hard and pick directly over the bridge pickup pole pieces for that percussive chunk — the attack definition on this tone comes from aggressive right-hand technique, not just gain.

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These settings are for a Marshall Plexi 1959. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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