Tone library / mateus asato / The breakup song

The breakup song amp settings — Boss ME-80

The mateus asato guitar tone for “The breakup song”, dialed in for a Boss ME-80 with a Squier Bullet Stratocaster. Studio single (2024)

Original rig

Suhr Badger 30 / Bogner Goldfinger 45 clean, Suhr Classic S Antique (neck/middle), Jackson Audio Bloom V2, Strymon BigSky, Dunlop EP103 Echoplex

Pristine, shimmering clean with subtle compression, lush ambient reverb, and warm vocal-like sustain
Amp settings — Boss ME-80
CHANNELPREAMP section: CLEAN (Fender Twin Reverb model)BRIGHToffBOOSToff
GAIN 3 BASS 5 MID 6 TREBLE 5 REVERB 7 MASTER 6
KnobSetting (0–10)
Gain3
Bass5
Mid6
Treble5
Reverb7
Master6
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Guitar
PICKUPneck+middle TONE8 VOLUME10
Signal chain

01Boss ME-80 COMP/FX Block (COMP)

Evens out fingerpicked dynamic response and adds sustain without squashing attack

Sustain 5 · Attack 4 · Tone 5 · Level 6

02Boss ME-80 DELAY Block (ANALOG / TAPE)

Emulates the warm tape decay of the Echoplex

Time 4 · Feedback 3 · E.Level 4

03Boss ME-80 REVERB Block (HALL / ROOM)

Set Reverb type to Hall for wide, ambient space

Tone 5 · Level 7
Why these settings

The Squier Bullet Stratocaster ceramic single coils can sound slightly harsh in the high end, so rolling guitar tone to 8 and keeping ME-80 Preamp treble at 5 tames the top. Pushing the mid to 6 compensates for the naturally scooped Fender-style clean preamp block to capture Mateus's vocal, boutique midrange. Using the ME-80's onboard Comp and Hall reverb delivers the studio compression and ambient decay without requiring external pedals.

PRO TIPMateus generates much of his fluid dynamics via hybrid picking (pick and middle/ring fingers); pluck the melodic high notes with finger pads to achieve a round, singing envelope rather than a hard pick snap.

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These settings are for a Boss ME-80. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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