Tone library / LINKIN PARK / Papercut

Papercut amp settings — Laney LX35R

The LINKIN PARK guitar tone for “Papercut”, dialed in for a Laney LX35R with a Ibanez RG131DX RG Gio. Studio version, Hybrid Theory (2000)

Original rig

PRS Custom 24 with high-output humbuckers → Tube Screamer → Mesa/Boogie Dual Rectifier (Modern channel), drop C# tuning

Tight, aggressive nu-metal rhythm with controlled low-end thump and cutting upper-mids for riff clarity
Amp settings — Laney LX35R
CHANNELDrive (Overdrive channel)
GAIN 8 BASS 5 MID 6 TREBLE 7 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain8
Bass5
Mid6
Treble7
Reverb0
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Tube Screamer (TS9 or clone)

RECOMMENDED — not currently owned. Essential for tightening the low-end on palm mutes and adding mid-push. Without this, the Laney's gain will feel loose and fizzy on drop-tuned chugs.

Drive 3 · Tone 5 · Level 7

02Noise Gate

RECOMMENDED — not currently owned. Cleans up the silence between staccato riffs. Run after the Tube Screamer, before amp input.

Threshold 6 · Decay 3
Why these settings

The Laney LX35R is a solid-state practice amp with a scooped, fizzy voicing compared to the Rectifier's tight, scooped-but-punchy character. I pushed mids to 6 (original Rectifier runs mids around 4 but it has a naturally tighter low-mid response) to compensate for the Laney's looser voicing. Bass is held at 5 to prevent mud on drop tuning. Without a Tube Screamer, the amp's drive channel alone will lack the focused midrange punch and tight low-end that defines this tone—the TS is critical here.

PRO TIPPalm mute directly over the bridge pickup for maximum tightness. Delson's attack is precise and consistent—practice with a metronome at 95 BPM and focus on uniform pick pressure to get that machine-gun chug consistency.

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These settings are for a Laney LX35R. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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