Lobo-Hombre en París amp settings — Line 6 Pod Go
The La Unión guitar tone for “Lobo-Hombre en París”, dialed in for a Line 6 Pod Go with a Gibson SG Special. Studio version, Mil Siluetas (1984) - Main rhythmic arpeggiated clean riff
Fender Stratocaster (in-between position) into Roland JC-120 clean amp with onboard stereo chorus and studio plate reverb/compression, produced by Nacho Cano
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 4 |
| Mid | 5 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 5 |
| Master | 8 |
01Red Squeeze (Compressor Block)
In front of amp block to give snappy, even new-wave transient pop
02Chorus (Boss CE-1 / Dimension style chorus block)
Post-amp block or FX block to nail the iconic JC-120 chorus width
03Plate Reverb (Reverb Block)
Post-chorus for lush 80s studio ambience
The studio track was recorded with a bright, glassy single-coil guitar straight into a Roland JC-120. Because your SG Special has warmer, darker humbuckers or P-90s, we boost treble on the Jazz Rivet model, pull the guitar volume back to 8 to avoid front-end clipping, and run the middle selector setting for maximum glass and bite. All modulation and compression are supplied directly through the Pod Go's internal DSP blocks.
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These settings are for a Line 6 Pod Go. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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