Tone library / Iron maiden / 22 acacia avenue

22 acacia avenue amp settings — Mooer GE100

The Iron maiden guitar tone for “22 acacia avenue”, dialed in for a Mooer GE100 with a Fender American Professional II Stratocaster. Studio version, The Number of the Beast (1982)

Original rig

Marshall JCM800 2203 / 50W Master Volume heads + 1960B 4x12 cabs (Celestion G12-65/G12T-75), 1957/63 Stratocaster (Dave Murray with DiMarzio Super Distortion/PAF) / Ibanez Destroyer/Gibson Les Paul (Adrian Smith), MXR Distortion+ / Boss OD-1 boost

Classic NWOBHM aggressive mid-forward crunch with tight bass and biting upper-mid Marshall bite
Amp settings — Mooer GE100
CHANNEL800 CLN or 800 CRU (JCM800 model) + 1960A 4x12 CABBRIGHToffBOOSTon
GAIN 7 BASS 5 MID 8 TREBLE 7 REVERB 2 MASTER 7
KnobSetting (0–10)
Gain7
Bass5
Mid8
Treble7
Reverb2
Master7
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Mooer GE100 DS Block (T.808 / Pure Boost)

Used as a clean overdrive boost in front of the amp model to tighten low-end and boost mids

Gain 2 · Tone 6 · Level 8

02Mooer GE100 MOD Block (Chorus)

Subtle chorus for Dave Murray's signature wide stereo texture on leads

Rate 2 · Depth 3 · Level 2

03Mooer GE100 DLY Block (Analog Delay)

Set to approx 320ms for solo sections and melodic fills

Time 3 · Feedback 3 · Level 3
Why these settings

Dave Murray used high-output DiMarzio humbuckers in his Strat, so on your single-coil Stratocaster bridge pickup, the overdrive block level is bumped to push the input while bass and mids are raised slightly to add body. The Mooer GE100's JCM800 amp model handles the primary British distortion, tightened by the onboard TS-style boost. For Dave's solo sections, switch to the neck pickup for that warm, fluid legato tone.

PRO TIPPick firmly right next to the bridge with a stiff pick (1.0mm+) on palm-muted galloping sections to replicate the aggressive, percussive attack of the track's main riff.

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