Tone library / In Flames / I'm the higway

I'm the higway amp settings — Marshall JCM900

The In Flames guitar tone for “I'm the higway”, dialed in for a Marshall JCM900 with a Jackson JS32 Dinky. Studio version, Reroute to Remain (2002)

Original rig

Peavey 5150 (block letter) or Mesa Dual Rectifier, ESP with EMG 81 bridge pickup, Mesa 4x12 with V30s, no pedals in front

Scooped modern metal with tight palm-mutes, compressed high-gain saturation, minimal mid presence
Amp settings — Marshall JCM900
CHANNELUltra GainBRIGHToffBOOSToff
GAIN 8 BASS 6 MID 3 TREBLE 7 PRESENCE 6 REVERB 0 MASTER 4
KnobSetting (0–10)
Gain8
Bass6
Mid3
Treble7
Presence6
Reverb0
Master4
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Boss SD-1 Super Overdrive

Used as a tight boost only — tightens low-end for palm-mutes, not adding saturation

Level 8 · Tone 5 · Drive 2
Why these settings

The JCM900's Ultra Gain channel is mid-forward compared to the scooped 5150/Rectifier original, so mids are cut to 3 (vs 5-6 on a 5150). Your passive Jackson pickups have lower output than EMG 81s, so gain is pushed to 8 and the SD-1 is used as a clean boost (Drive at 2, Level at 8) to compensate and tighten the low-end for those machine-gun palm-mutes. The JCM900 naturally has more presence bite than a Recto, so presence is dialed carefully to 6 to avoid fizz.

PRO TIPPick with the edge of the pick at a 45-degree angle and keep your palm planted firmly on the bridge for those staccato riffs — In Flames' tightness comes from aggressive downstroke muting, not just the amp's compression.

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These settings are for a Marshall JCM900. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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