BRAINROT amp settings — Line 6 POD Go
The grandson guitar tone for “BRAINROT”, dialed in for a Line 6 POD Go with a Gibson Les Paul Modern. Studio single cut (2025)
Fender Telecaster / Gibson Les Paul, Electro-Harmonix Big Muff / gated fuzz, DigiTech Whammy / pitch shifting, Marshall JCM800 / modern high-gain tube amp
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Mid | 5 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 7 |
01Hard Gate (Line 6 POD Go Block)
Placed first in chain to create sharp, staccato industrial stops
02Pitch Wham / Octave (Line 6 POD Go Block)
Blends -1 octave sub fundamental underneath the main riff
03Triangle Fuzz / Industrial Fuzz (Line 6 POD Go Block)
Primary source of distortion running into clean/edge amp model
The studio cut relies on an aggressive, gated fuzz layered with sub-octave synths rather than standard amp overdrive. On the POD Go, keeping the Brit J-800 gain at 2 allows the Triangle Fuzz block to deliver the core saturation without muddying up. The Les Paul Modern's hot bridge humbucker pushes the fuzz into instant hard-clipping saturation, so the fast hard gate is essential for modern punch.
Get this tone on your amp
These settings are for a Line 6 POD Go. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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