Tone library / Get back / The beatles

The beatles amp settings — Boss Gt-1

The Get back guitar tone for “The beatles”, dialed in for a Boss Gt-1 with a Dean zelinsky LaVoce. Studio single/album version (1969 Let It Be / Apple rooftop sessions)

Original rig

1968 Fender Rosewood Telecaster (bridge pickup) into Fender Twin Reverb amp (silverface)

Biting, twangy edge-of-breakup Fender cleans with percussive snap and upper-mid clarity
Amp settings — Boss Gt-1
CHANNELTWIN COMBO (AIRD/COSM Clean)BRIGHTonBOOSToff
GAIN 4 BASS 5 MID 6 TREBLE 7 PRESENCE 6 REVERB 2 MASTER 6
KnobSetting (0–10)
Gain4
Bass5
Mid6
Treble7
Presence6
Reverb2
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01FX1/COMP (Compressor block)

Set Type to BOSS or D-COMP to match the rhythmic chime and squash of Harrison's rhythm attack

Type 1 · Sustain 4 · Attack 7 · Level 5

02OD/DS (Warm OD block)

Edge-of-breakup hair — kept very low to emulate a cranked silverface Twin rather than heavy dirt

Drive 2 · Tone 5 · Level 6
Why these settings

The original tone is George Harrison's solid Rosewood Telecaster driving a silverface Twin Reverb into natural speaker breakup. Your Dean Zelinsky LaVoce has humbuckers (SideKick/PAF-style), which have a warmer, higher output than a vintage Tele single coil, so the GT-1 amp gain is kept low at 4 while treble and presence are pushed to recapture the bright cutting snap. Keep the guitar volume wide open and rely on the light onboard compressor to recreate the rooftop percussive attack.

PRO TIPPick aggressively near the bridge saddles using a medium-thin pick to emulate the Telecaster's sharp, percussive bite on the signature rhythm groove.

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These settings are for a Boss Gt-1. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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More tones for the Boss Gt-1
MayonnaiseSmashing PumpkinsI want to knowTwo door cinema clubCliffs of Dover (Live)Eric JohnsonLeft behindSlipknotKnocking on heavens doorGuns n Rosesand justice for allmetallica
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