Tone library / Frank sinatra / New york new york

New york new york amp settings — Line 6 Pod Go

The Frank sinatra guitar tone for “New york new york”, dialed in for a Line 6 Pod Go with a Epiphone Les Paul Studio. Studio version, Trilogy: Past Present Future (1980) — Frank Sinatra's iconic cover recorded at Western Recorders Hollywood with Don Costa arranging, Tony Mottola on guitar

Original rig

Gibson L-5 CES archtop (neck pickup) → Fender '65 Twin Reverb — pristine jazz-clean tone, no pedals, studio compression and plate reverb added in the mix

Warm, round jazz-clean with smooth highs and pillowy low-mids — zero grit, neck-humbucker darkness, polished studio sheen

Amp settings — Line 6 Pod Go

CHANNELUS Double Nrm (Fender Twin model) — clean amp block, no drive pedalsBRIGHToffBOOSToff

Knob	Setting (0–10)
Gain	2
Bass	5
Mid	7
Treble	5
Presence	4
Reverb	4
Master	6

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Guitar

PICKUPneck TONE6 VOLUME8

Why these settings

Original used a hollow-body archtop into a Fender Twin for glassy jazz clean. Your Les Paul's neck humbucker is darker and hotter than the L-5's floating pickup, so I raised mid +1 and dropped treble -1 vs the original to avoid muddiness while preserving warmth. Tone knob at 6 tames the Les Paul's brighter wound strings. Gain at 2 keeps it spotless — this tone has zero breakup.

PRO TIPRoll your picking hand back toward the neck and use the fleshy part of your thumb or fingers for that round, thumpy jazz-comping attack — a pick near the bridge will sound too bright and articulate for this polished big-band tone.

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These settings are for a Line 6 Pod Go. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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Song, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.