Tone library / Foo Fighters / Everlong

Everlong amp settings — Fender Frontman 15g

The Foo Fighters guitar tone for “Everlong”, dialed in for a Fender Frontman 15g with a Dean Super strat. Studio version, The Colour and the Shape (1997) — iconic main drop-D verse/chorus riff

Original rig

Gibson Trini Lopez / ES-335 into ProCo Rat and Mesa/Boogie Dual Rectifier (Modern channel) through Marshall 4x12

Punchy, saturated post-grunge crunch with scooped low-mids and sharp pick attack
Amp settings — Fender Frontman 15g
CHANNELNormal (Clean)BOOSToff
GAIN 2 BASS 6 TREBLE 5 MASTER 4
KnobSetting (0–10)
Gain2
Bass6
Treble5
Master4
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Boss DS-1 Distortion

Primary distortion source into clean channel

Tone 4 · Level 7 · Dist 7
Why these settings

The Boss DS-1 provides the aggressive saturation of Grohl's Rat/Rectifier rig into the Frontman's clean channel with amp gain kept down at 2 to avoid muddy solid-state breakup. The Frontman 15G has no mid control or presence, so keep treble neutral at 5 and the DS-1 Tone at 4 to tame high-end fizz on the small 8-inch speaker while pushing bass to 6 for drop-D punch. Clean verse: roll guitar volume back to 4-5 or bypass the DS-1.

PRO TIPEverlong relies on Dave Grohl's aggressive, 16th-note drum-style picking pattern; pick firmly near the bridge on the drop-D power chord shapes while muting the non-ringing strings with the left-hand index finger.

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These settings are for a Fender Frontman 15g. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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