Cigarettes and alcohol amp settings — Fender Frontman 15g
The Oasis guitar tone for “Cigarettes and alcohol”, dialed in for a Fender Frontman 15g with a Harley benton Cst 24 deluxe. Studio version, Definitely Maybe (1994)
Marshall Valvestate 8080 + WEM Dominator (run simultaneously), Gibson Les Paul (Marr's '53 Goldtop conversion) or Gibson Flying V, Roland RE-201 Space Echo with preamp maxed
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 4 |
| Mid | 8 |
| Treble | 5 |
| Presence | 0 |
| Reverb | 0 |
| Master | 6 |
01Overdrive Pedal (TS-style or Boss SD-1)
RECOMMENDED — not currently owned. The Frontman 15G's solid-state gain lacks the harmonic saturation of the Valvestate + WEM combo. A cheap TS clone (Joyo Vintage Overdrive, Behringer TO800) will add the midrange push and compression Noel got from cranking that Space Echo preamp. Without this pedal, the tone will be thin and fizzy at high gain.
The Frontman 15G is a scooped, bright solid-state practice amp — the opposite of the warm, mid-heavy Valvestate/WEM stack. Compensate by maxing mids to 8 (vs Noel's reported 7-8) and pulling treble down to 5 to avoid ice-pick harshness. Gain at 7 is as far as this amp goes before getting fizzy; a drive pedal is essential to get the compressed, harmonically-rich crunch of the original. Your CST-24's humbuckers are hotter than a vintage Les Paul, so no gain compensation needed there.
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These settings are for a Fender Frontman 15g. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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