Tone library / Foo fighters / Everlong

Everlong amp settings — Fender Champion 50XL

The Foo fighters guitar tone for “Everlong”, dialed in for a Fender Champion 50XL with a Ibanez Grgr129EX. Studio version, The Colour and the Shape (1997)

Original rig

Mesa/Boogie Dual Rectifier, Gibson Trini Lopez/ES-335, ProCo Rat available for layered overdubs

Aggressive mid-forward crunch with tight low-end and cutting presence, dynamic clean-to-heavy shifts
Amp settings — Fender Champion 50XL
CHANNELOverdrive (Voice 2 — British)
GAIN 8 BASS 4 MID 8 TREBLE 6 PRESENCE 0 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain8
Bass4
Mid8
Treble6
Presence0
Reverb0
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Boss DS-1 Distortion

RECOMMENDED — not currently owned. The Champion 50XL overdrive channel lacks the saturation depth of a Dual Rectifier. A DS-1 ($50 new) stacked into the dirty channel gets you the sustained, compressed chunk of the original. Without this pedal, max out amp gain to 10 and accept a thinner tone.

Tone 6 · Level 7 · Dist 5
Why these settings

The original Mesa Rectifier has massive low-end and a scooped-then-boosted mid character the Champion cannot replicate natively. I pushed amp mid to 8 (vs original 6) to compensate for the Champion's scooped Fender voicing, dropped bass to 4 (vs original 6) because the Champion's bass shelf is lower and muddier at high gain, and cut treble to 6 (vs original 7.5) because Fender amps get ice-picky in the overdrive channel. Reverb is 0 — the original is bone dry.

PRO TIPGrohl's attack is critical — he picks hard and lets the strings breathe between downstrokes. Tune to Drop D, dig in with a thick pick (1mm+), and palm-mute the open D string aggressively on the main riff. Roll your tone knob to 8 to tame the Ibanez's bright ceramic humbuckers without losing cut.

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These settings are for a Fender Champion 50XL. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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