Everlong amp settings — Fender Champion 50XL
The Foo fighters guitar tone for “Everlong”, dialed in for a Fender Champion 50XL with a Ibanez Grgr129EX. Studio version, The Colour and the Shape (1997)
Mesa/Boogie Dual Rectifier, Gibson Trini Lopez/ES-335, ProCo Rat available for layered overdubs
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 4 |
| Mid | 8 |
| Treble | 6 |
| Presence | 0 |
| Reverb | 0 |
| Master | 5 |
01Boss DS-1 Distortion
RECOMMENDED — not currently owned. The Champion 50XL overdrive channel lacks the saturation depth of a Dual Rectifier. A DS-1 ($50 new) stacked into the dirty channel gets you the sustained, compressed chunk of the original. Without this pedal, max out amp gain to 10 and accept a thinner tone.
The original Mesa Rectifier has massive low-end and a scooped-then-boosted mid character the Champion cannot replicate natively. I pushed amp mid to 8 (vs original 6) to compensate for the Champion's scooped Fender voicing, dropped bass to 4 (vs original 6) because the Champion's bass shelf is lower and muddier at high gain, and cut treble to 6 (vs original 7.5) because Fender amps get ice-picky in the overdrive channel. Reverb is 0 — the original is bone dry.
Get this tone on your amp
These settings are for a Fender Champion 50XL. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
Get ToneAdapt on Google PlaySong, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.