Tone library / Foo fighters / Everlong

Everlong amp settings — Fender 15g

The Foo fighters guitar tone for “Everlong”, dialed in for a Fender 15g with a Squier Affinity Stratocaster. Studio version, The Colour and the Shape (1997) — main drop-D chorus and heavy riff

Original rig

Gibson ES-335 into Mesa/Boogie Dual Rectifier (Red Channel) blended with Fender Tone Master, 4x12 cab with Celestion Vintage 30s

Thick, high-gain post-grunge wall-of-sound with aggressive upper-mid punch
Amp settings — Fender 15g
CHANNELDrive Channel (OD button engaged)
GAIN 7 BASS 6 TREBLE 5 MASTER 5
KnobSetting (0–10)
Gain7
Bass6
Treble5
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01ProCo Rat 2 Distortion

RECOMMENDED — not currently owned

Distortion 6 · Filter 5 · Volume 7
Why these settings

The Frontman 15G lacks a dedicated midrange control and presence circuit, so keep treble moderate at 5 to prevent the Strat's single-coil bridge from sounding brittle against the 8-inch speaker. Run the amp's built-in Drive channel at gain 7 to approximate the saturated Dual Rectifier rhythm wall without flubbing out the low end. Adding a Rat or high-gain distortion pedal will dramatically thicken the core tone into proper post-grunge territory. Clean verse: roll guitar volume back to 6 or switch to the clean channel.

PRO TIPTune the low E down to drop-D and strike the octave chords with aggressive downstrokes close to the bridge to emulate Dave Grohl's percussive attack.

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These settings are for a Fender 15g. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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