Tone library / Firehouse / All She Wrote

All She Wrote amp settings — Marshall MG30CFX

The Firehouse guitar tone for “All She Wrote”, dialed in for a Marshall MG30CFX with a Dean Ml 79 floyd. Studio version, FireHouse (1990)

Original rig

Modified 1970s Marshall JMP Mk II Lead layered with Soldano SLO-100 and Fender Bassman, Kramer/custom guitars with high-output humbuckers

Punchy, saturated late-80s/early-90s high-gain crunch with tight low-end and vocal upper-mid bite
Amp settings — Marshall MG30CFX
CHANNELCleanBOOSToff
GAIN 2 BASS 6 MID 6 TREBLE 5 REVERB 2 MASTER 5
KnobSetting (0–10)
Gain2
Bass6
Mid6
Treble5
Reverb2
Master5
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Boss OS-2

Primary distortion source (Color toward DS side for modded Marshall bite)

Level 6 · Tone 5 · Drive 7 · Color 8

02MXR 6-band EQ

Tightens low-end and emphasizes the 800Hz-1.6kHz Lead crunch

100Hz 6 · 200Hz 5 · 400Hz 4 · 800Hz 7 · 1.6kHz 7 · 3.2kHz 5
Why these settings

Per double-gain rules, the MG30CFX is set to its clean channel with gain low to act as an uncompressed pedal platform for the OS-2. The MXR 6-Band EQ shapes the front-end to emulate the combined midrange punch of Bill Leverty's multi-tracked JMP/Soldano setup. The MG30CFX lacks a physical presence control, so the presence parameter is nulled.

PRO TIPDig in with a heavy pick using slight palm-muting right at the Floyd Rose saddles to capture the tight, percussive bounce on the opening riff.

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These settings are for a Marshall MG30CFX. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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