Tone library / Eric Johnson / Cliffs of Dover

Cliffs of Dover amp settings — Marshall JCM800 2203

The Eric Johnson guitar tone for “Cliffs of Dover”, dialed in for a Marshall JCM800 2203 with a Fender American Professional II Stratocaster. Studio version, Ah Via Musicom (1990) — main theme/lead tone

Original rig

1969 Marshall 1959 Super Lead 100W + 1963 Gibson ES-335 / 1954 Fender Stratocaster + BK Butler/Chandler Tube Driver + Maestro Echoplex EP-3

Violin-like, singing liquid lead with rolled-off top end, thick low-mids, and smooth tube compression
Amp settings — Marshall JCM800 2203
CHANNELHigh Sensitivity (High input)
GAIN 8 BASS 5 MID 6 TREBLE 1 PRESENCE 0 MASTER 4
KnobSetting (0–10)
Gain8
Bass5
Mid6
Treble1
Presence0
Master4
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Guitar
PICKUPbridge TONE6 VOLUME10
Signal chain

01BK Butler Tube Driver

RECOMMENDED — not owned (front of amp input)

Tube Drive 4 · Hi EQ 0 · Lo EQ 0 · Output Level 4

02Tape Delay / Maestro Echoplex EP-3

RECOMMENDED — not owned (place before drive pedal or in chain)

Delay Time 4 · Sustain / Feedback 3 · Volume / Level 2
Why these settings

Eric Johnson famously dials his Marshall with treble and presence on 0 to kill high-frequency fizz, relying on massive low-mid saturation. On your JCM800 2203 with a bright single-coil Strat, keep presence pinned at 0, drop treble to 1, and roll your guitar tone control down to 6 to simulate his warm ES-335/fat Strat bridge response. Push the JCM800 preamp gain to 8 into the High input so the amp delivers the necessary liquid sustain standalone without a Tube Driver.

PRO TIPUse Eric's 'bounce' picking technique with a stiff pick (like a Dunlop Jazz III), brushing the string with light upward angled strokes to soften transient attack and produce that bowed violin feel.

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