Layla amp settings — Peavey Bandit 112
The Eric Clapton guitar tone for “Layla”, dialed in for a Peavey Bandit 112 with a Ibanez GIO GRG170DX. Studio version, Layla and Other Assorted Love Songs (1970) — iconic opening riff and lead
1956 Fender Stratocaster ('Brownie') straight into a cranked vintage Fender Tweed Champ (5F1) with studio EMT plate reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 4 |
| Mid | 7 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 2 |
| Master | 5 |
01Tweed Overdrive / Boost (e.g. Catalinbread Formula 5F6)
RECOMMENDED — not currently owned
The Peavey Bandit's Classic mode on the Lead channel emulates vintage American power-amp breakup, dialled to gain 6 to match the singing compression of Clapton's cranked Tweed Champ. Boost mids to 7 to replicate the small 8-inch speaker enclosure's mid bark, while keeping the bridge+middle split on the Ibanez GIO to mimic a Strat's bright single-coil quack. Adding a dedicated Tweed-style overdrive pedal down the road allows switching to the Clean channel with gain at 2 for an even closer analog sag match.
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These settings are for a Peavey Bandit 112. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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