Layla amp settings — Marshall Code 50
The Eric clapton guitar tone for “Layla”, dialed in for a Marshall Code 50 with a Jackson JS 12. Studio version, Layla and Other Assorted Love Songs (1970) — iconic opening riff and lead
1956 Fender Stratocaster ('Brownie', bridge pickup) straight into a cranked 1950s Fender Tweed Champ (5F1) with studio plate reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 5 |
| Mid | 7 |
| Treble | 7 |
| Reverb | 3 |
| Master | 6 |
01Onboard Compressor (Marshall Code Stomp Block)
Engage the onboard Compressor stomp block to emulate the natural power-tube sag and singing sustain of the cranked 5W Champ
The Marshall Code's American Tweed preamp model provides the core vintage Fender overdrive, but we push the onboard compressor block to replicate the natural squish and compression of a 5F1 Champ pushed to its limit. Because the Jackson JS 12 uses higher-output ceramic humbuckers instead of Clapton's vintage low-output Strat single coils, gain is kept around 8 with elevated treble and mids to preserve the biting, articulate upper-mid attack without turning muddy. The Code 50 lacks a physical presence knob on its faceplate, so presence is null.
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These settings are for a Marshall Code 50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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