Tone library / David Gilmour / Comfortably Numb (Live at Pompeii 2016)

Comfortably Numb (Live at Pompeii 2016) amp settings — Marshall JCM900

The David Gilmour guitar tone for “Comfortably Numb (Live at Pompeii 2016)”, dialed in for a Marshall JCM900 with a Fender American Ultra Stratocaster. Live at Pompeii 2016 (July), outro solo version with Sovtek Big Muff

Original rig

1974 Hiwatt DR504 + Alessandro Redbone Special into WEM 4x12, Black Strat with SSL-5 bridge, Ram's Head/Sovtek Big Muff, Electric Mistress flanger, dual delays (430ms + 350ms)

Singing, sustained lead with thick fuzz, shimmering flange, and spacious delay — warm yet cutting with pronounced midrange bloom
Amp settings — Marshall JCM900
CHANNELClean channel (or Low input on Lead channel with gain minimized)BRIGHToffBOOSToff
GAIN 2 BASS 4 MID 6 TREBLE 5 PRESENCE 4 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain2
Bass4
Mid6
Treble5
Presence4
Reverb0
Master6
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Guitar
PICKUPbridge TONE6 VOLUME10
Signal chain

01Big Muff Pi (Ram's Head or Sovtek style) — RECOMMENDED, not currently owned

RECOMMENDED — essential for the Gilmour solo sound. Sovtek 'Green Russian' or EHX Ram's Head reissue. Tone at 4 prevents ice-pick highs while keeping note definition.

Volume 7 · Tone 4 · Sustain 7

02Electric Mistress Flanger — RECOMMENDED, not currently owned

RECOMMENDED — for the shimmering chorus-like sweep. Original settings: Rate 30%/10:00, Range off, Color 60%/1:00. Gilmour blended 70% wet via a Lehle mixer to avoid volume drop.

Rate 3 · Range 0 · Color 6

03Digital Delay #1 — RECOMMENDED, not currently owned

RECOMMENDED — set to 430ms. Boss DD-7, TC Flashback, or similar. This is the primary rhythmic delay.

E.Level 4 · F.Back 4 · D.Time 7

04Digital Delay #2 — RECOMMENDED, not currently owned

RECOMMENDED — set to 350ms. Stacked with the first delay for the lush, cascading repeats on the outro solo.

E.Level 3 · F.Back 3 · D.Time 6
Why these settings

The JCM900 is voiced mid-forward and grittier than Gilmour's pristine Hiwatt clean platform, so gain is dropped to 2 to keep the amp clean — all drive must come from the Big Muff. Mids pushed to 6 to compensate for the Hiwatt's flatter EQ center, and presence pulled to 4 to avoid the JCM900's tendency toward fizz. Treble at 5 matches the SSL-5's brightness through your Ultra Strat's similar-output pickups.

PRO TIPGilmour's sustain comes from finger vibrato, not gain — use slow, wide wrist vibrato and let notes bloom into feedback by leaning toward the amp at moderate volume. Roll your tone knob to 6 to tame the bridge pickup's bite and get that vocal, singing quality on the bends.

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