Tone library / crowbar / planets collide

planets collide amp settings — Marshall Mini Jubilee

The crowbar guitar tone for “planets collide”, dialed in for a Marshall Mini Jubilee with a Jackson Pro Series King V. Studio version, Odd Fellows Rest (1998) - Main Riff

Original rig

Gibson Les Paul Custom (EMG 81) into solid-state Randall RG100ES / Century 200 heads boosted with Boss SD-1, tuned to B Standard (B-E-A-D-F#-B)

Crushing, sludge metal doom tone with saturated low-end weight, tight boosted attack, and aggressive upper-mid grind
Amp settings — Marshall Mini Jubilee
CHANNELLeadBOOSToff
GAIN 7 BASS 8 MID 6 TREBLE 5 PRESENCE 4 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain7
Bass8
Mid6
Treble5
Presence4
Reverb0
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Behringer OD300 Overdrive/Distortion

Set Mode CCW toward Overdrive to act as a tight SD-1 style clean boost pushing the amp's Lead channel

Level 9 · Tone 6 · Drive 2 · Mode 1
Why these settings

Kirk achieved his massive sludge punch using boosted solid-state Randalls with EMG active pickups; on your Marshall Mini Jubilee Lead channel, push Bass to 8 to mimic that cabinet heft while keeping Treble and Presence restrained (5 and 4) to avoid Marshall high-end fizz. Run the Behringer OD300 in Overdrive mode with Drive low (2) and Level high (9) as a boost into the driven amp, tightening the low-end mud from the low-B tuning. The King V humbuckers supply plenty of aggressive output for the signature rhythm bite.

PRO TIPTune to B Standard (or drop B) with heavy gauge strings (.012-.056 minimum) and use heavy, deliberate downstrokes near the bridge to get the signature slow-moving, seismic Crowbar palm-mute thud.

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These settings are for a Marshall Mini Jubilee. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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Cemetary GatesPanteraOneMetallicaShine in you crazy diamondPink FloydNo more tearsOzzy osbourneCryCigarettes After SexPlay DateMelanie Martinez
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