Tone library / Pink Floyd / Shine in you crazy diamond

Shine in you crazy diamond amp settings — Marshall Mini Jubilee

The Pink Floyd guitar tone for “Shine in you crazy diamond”, dialed in for a Marshall Mini Jubilee with a Gibson Les Paul Classic. Studio version, Wish You Were Here (1975)

Original rig

Fender 'Black Strat' Stratocaster (bridge/bridge+middle) → Colorsound Power Boost → EHX Big Muff Pi (solos) → Binson Echorec → Hiwatt DR103 Custom 100 into WEM 4x12 cabinet

Crystalline sustain with singing midrange, warm compression, spacious delay trails — clean foundation with controlled gain staging for infinite note bloom
Amp settings — Marshall Mini Jubilee
CHANNELLead channel (low gain setting)BRIGHToffBOOSToff
GAIN 3 BASS 4 MID 6 TREBLE 5 PRESENCE 5 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain3
Bass4
Mid6
Treble5
Presence5
Reverb0
Master5
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Guitar
PICKUPbridge+middle TONE7 VOLUME9
Signal chain

01Valeton GP-200: Compressor Block (Dyna Comp style)

Essential for the singing sustain — keeps notes blooming without squashing dynamics

Sustain 6 · Level 7 · Attack 5

02Valeton GP-200: Overdrive Block (Tube Screamer model as clean boost)

Substitute for Colorsound Power Boost — use as transparent boost, not distortion

Drive 2 · Tone 6 · Level 7

03Valeton GP-200: Fuzz Block (Big Muff model) — for 3rd solo/sustained sections only

Engage only for the long sustained solo sections; bypass for intro bends and verse parts

Sustain 7 · Tone 4 · Volume 5

04Valeton GP-200: Delay Block (Tape/Analog style)

Set delay time to ~380-440ms (dotted eighth feel); one clear repeat trailing into space

Time 6 · Feedback 4 · Level 5

05Valeton GP-200: Reverb Block (Plate style)

Studio used EMT plate verb — keep subtle, it adds dimension not wash

Decay 5 · Tone 6 · Level 3
Why these settings

The Hiwatt is scooped and glassy; the Mini Jubilee is mid-forward and warmer. I dropped bass from 5→4 and raised mids 5→6 to compensate for the Jubilee's natural Marshall bark. Your Les Paul humbuckers are hotter and darker than Gilmour's Strat singles — rolling tone to 7 and using bridge+middle (if your LP has coil-split, use it) opens up the high-end clarity this tone needs. Gain stays low because the sustain comes from compression and the Big Muff, not amp breakup.

PRO TIPThe magic of the intro bends is in the touch: pick the note softly, then dig into the bend and add wide, slow vibrato as the note sustains. Let the compressor and delay do the work — if you're picking hard, you're fighting the tone.

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These settings are for a Marshall Mini Jubilee. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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