Proud Mary amp settings — Line 6 Pod go
The Creedence Clearwater Revival guitar tone for “Proud Mary”, dialed in for a Line 6 Pod go with a Epiphone Les Paul Classic. Studio version, Bayou Country (1969)
Gibson ES-175 semi-hollow, Kustom K200-4 solid-state amp with reverb/tremolo/vibe, tuned to D standard
| Knob | Setting (0–10) |
|---|---|
| Gain | 4 |
| Bass | 4 |
| Mid | 7 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 3 |
| Master | 7 |
01Tremolo (Harmonic Tremolo block)
Place post-amp block; use subtle settings for that hypnotic swamp pulse — not heavy, just movement
02Compressor (LA Studio Comp or Deluxe Comp block)
Place pre-amp block; evens out dynamics, adds sustain — Fogerty is known for using compression
Your Les Paul Classic humbuckers are hotter and warmer than Fogerty's semi-hollow ES-175 with its jangly P-90-style character. Compensate by using the middle pickup position, rolling tone to 8 to retain brightness, and boosting mids/treble on the amp. The Pod Go's US Deluxe model captures the clean Fender headroom Fogerty favored — gain at 4 gives that edge-of-breakup warmth without distortion.
Get this tone on your amp
These settings are for a Line 6 Pod go. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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