Tone library / Children of bodom / Towards dead end

Towards dead end amp settings — Marshall MG30CFX

The Children of bodom guitar tone for “Towards dead end”, dialed in for a Marshall MG30CFX with a Jackson Pro Series Rhoads. Studio version, Hatebreeder (1999)

Original rig

Lee Jackson GP-1000 preamp → Marshall power amp, ESP Alexi signature with EMG 81, SD-1 boost, slight chorus and delay

Tight, scooped modern melodic death metal with razor-sharp attack and subtle modulation
Amp settings — Marshall MG30CFX
CHANNELOD2 (highest gain channel)
GAIN 8 BASS 6 MID 3 TREBLE 8 PRESENCE 0 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain8
Bass6
Mid3
Treble8
Presence0
Reverb0
Master5
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Boss SD-1 Super Overdrive

RECOMMENDED — not currently owned. Essential for Bodom tone; tightens low end and adds pick attack. Run into amp input.

Level 8 · Tone 6 · Drive 2

02MG30CFX Built-in Chorus

Use the amp's built-in chorus effect very subtly — adds width without obvious warble

Depth 3 · Rate 4

03MG30CFX Built-in Delay

Short slapback delay, very low in mix — thickens leads without muddying rhythm

Time 4 · Feedback 2 · Level 2
Why these settings

The MG30CFX is a solid-state amp that won't replicate the GP-1000's tube sag, but OD2 gets close to the tight, scooped character. Mids scooped to 3 and treble boosted to 8 matches Alexi's signature scoop. Your Jackson's passive humbuckers have less compression than his EMG 81s, so gain stays at 8 rather than backing off. An SD-1 in front is critical for the attack definition Bodom is known for.

PRO TIPAlexi used extremely light picks (0.50mm) and picked very close to the bridge for that razor-sharp attack on fast alternate-picked riffs — technique matters as much as gear for this tone.

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These settings are for a Marshall MG30CFX. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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