Floods (outro) amp settings — Mooer Hornet
The catatonic guitar tone for “Floods (outro)”, dialed in for a Mooer Hornet with a Sonamaster Washburn. Studio version, The Great Southern Trendkill (1996) — the iconic clean outro solo section
Dean ML with Bill Lawrence L-500XL pickup, Randall RG100ES/Century 200 on clean channel, MXR Flanger, volume pedal for swells
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Mid | 7 |
| Treble | 5 |
| Master | 6 |
01Chorus
Subtle modulation to add bloom on sustained notes — keep it below obvious, just enough to widen the sound
02Behringer VD400 Vintage Delay
Analog-voiced delay for ambient sustain — around 300ms, moderate feedback, not washed out
Original used a clean Randall channel at very low gain for warmth without breakup. The Mooer Hornet's clean channel is voiced similarly neutral, so gain stays at 2 for headroom. Mid pushed to 7 to capture the vocal quality of Dime's outro tone. Treble pulled to 5 because the Hornet can get brittle on cleans. The Hornet lacks presence and reverb knobs — use the delay's ambient repeats and chorus bloom to fill the space instead.
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These settings are for a Mooer Hornet. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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