Tone library / catatonic / Floods (outro)

Floods (outro) amp settings — Mooer Hornet

The catatonic guitar tone for “Floods (outro)”, dialed in for a Mooer Hornet with a Sonamaster Washburn. Studio version, The Great Southern Trendkill (1996) — the iconic clean outro solo section

Original rig

Dean ML with Bill Lawrence L-500XL pickup, Randall RG100ES/Century 200 on clean channel, MXR Flanger, volume pedal for swells

Warm, open clean tone with slow vibrato, volume swells, singing sustain, subtle modulation bloom, emotional and melodic
Amp settings — Mooer Hornet
CHANNELCleanBRIGHToffBOOSToff
GAIN 2 BASS 6 MID 7 TREBLE 5 MASTER 6
KnobSetting (0–10)
Gain2
Bass6
Mid7
Treble5
Master6
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Guitar
PICKUPneck TONE6 VOLUME7
Signal chain

01Chorus

Subtle modulation to add bloom on sustained notes — keep it below obvious, just enough to widen the sound

Rate 3 · Depth 4 · Level 5

02Behringer VD400 Vintage Delay

Analog-voiced delay for ambient sustain — around 300ms, moderate feedback, not washed out

Echo 4 · Intensity 3 · Repeat Rate 5
Why these settings

Original used a clean Randall channel at very low gain for warmth without breakup. The Mooer Hornet's clean channel is voiced similarly neutral, so gain stays at 2 for headroom. Mid pushed to 7 to capture the vocal quality of Dime's outro tone. Treble pulled to 5 because the Hornet can get brittle on cleans. The Hornet lacks presence and reverb knobs — use the delay's ambient repeats and chorus bloom to fill the space instead.

PRO TIPThe magic is in the volume knob swells — roll your guitar volume down before picking, then swell up slowly on sustained notes for that orchestral, weeping quality. Dime's vibrato here is wide and slow, completely different from his aggressive driven-tone shake.

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These settings are for a Mooer Hornet. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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