Tone library / ATB / 9 P.M. (Till I Come)

9 P.M. (Till I Come) amp settings — Mooer Hornet

The ATB guitar tone for “9 P.M. (Till I Come)”, dialed in for a Mooer Hornet with a Squier Bullet Stratocaster. Studio version, Movin' Melodies (1999) - iconic slide pitch-bend lead theme

Original rig

André Tanneberger (ATB) signature pitch-bent synth/guitar lead created with an E-Mu Morpheus / Proformance module routed through digital chorus and stereo ping-pong delay (often emulated on electric guitar via slide/whammy and modulated delay)

Ultra-clean, glassy, bright ambient trance lead with chorus and rhythmic delay
Amp settings — Mooer Hornet
CHANNELClean. 1 (Fender 65 Twin style model)
GAIN 2 BASS 4 MID 5 TREBLE 8 REVERB 6 MASTER 6
KnobSetting (0–10)
Gain2
Bass4
Mid5
Treble8
Reverb6
Master6
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Guitar
PICKUPbridge+middle TONE10 VOLUME10
Signal chain

01Digital Chorus (Mooer Hornet built-in MOD: Chorus)

Engage the built-in MOD section on the Hornet set to Chorus

Rate 4 · Depth 6 · Mix 5

02Digital Delay (Mooer Hornet built-in DELAY: Digital)

Dotted eighth / 130 BPM sync for the rhythmic trance bounce

Time 6 · Feedback 5 · Mix 6
Why these settings

The original lead is a synthesised clean guitar timbre drenched in 90s studio modulation and delay. Using Clean 1 on the Mooer Hornet replicates the sparkling American clean headroom, while position 4 (bridge+middle) on the Strat gives the required glassy, scooped 'quack' without digital harshness. Since the Mooer Hornet lacks a physical presence knob, presence is set to null.

PRO TIPUse a light glass slide or execute smooth, deliberate fret slides up to each pitch while using bridge+middle single coils to nail the iconic synthetic glide character of the original track.

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These settings are for a Mooer Hornet. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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