Floods (outro) amp settings — Boss GT-1
The catatonic guitar tone for “Floods (outro)”, dialed in for a Boss GT-1 with a Jackson JS22 Dinky. Outro solo, The Great Southern Trendkill (1996)
Dean ML (Bill Lawrence L500XL / '59) -> Randall RG100HT / Century 200 -> MXR 6-Band Graphic EQ -> Korg rack delay & hall reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 5 |
| Treble | 4 |
| Presence | 3 |
| Reverb | 0 |
| Master | 6 |
01FX1 (Graphic EQ block)
Emulates Dimebag's post-distortion EQ shaping (pushing 1.6kHz bite while shaving extreme fizz)
02Delay Block (Boss GT-1)
Set delay time to approximately 420ms-450ms for the spacious cascading repeats
03Reverb Block (Boss GT-1 Hall)
Lush hall algorithm to recreate the wet studio decay
The signature dark, singing character of the Floods outro comes from playing high-gain through the neck pickup with the tone rolled back to remove harsh treble bite. The GT-1's Solid Drive model captures the Randall solid-state saturation, while the onboard EQ block tightens the lower-mids and shapes the lead focus. Deep delay and hall reverb blocks in the multi-FX supply the massive studio atmosphere.
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These settings are for a Boss GT-1. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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