Tone library / Bush / Glycerine (Remastered)

Glycerine (Remastered) amp settings — Headrush Prime

The Bush guitar tone for “Glycerine (Remastered)”, dialed in for a Headrush Prime with a Gibson Les Paul Modern. Studio version, Sixteen Stone (1994 / 2014 Remaster) — Main rhythm chord progression

Original rig

Fender Jazzmaster / Stratocaster into Mesa/Boogie Dual Rectifier / Marshall JCM900 clean/crunch edge with Boss DS-1 / ProCo Rat and subtle room reverb

Gritty, resonant semi-distorted chord crunch with warm low-mid body and loose edge-of-breakup attack
Amp settings — Headrush Prime
CHANNEL'92 Treadplate Raw (Dual Rectifier Raw/Orange channel model) + 4x12 Recto V30 CabBRIGHToffBOOSToff
GAIN 4 BASS 6 MID 5 TREBLE 5 PRESENCE 4 REVERB 2 MASTER 7
KnobSetting (0–10)
Gain4
Bass6
Mid5
Treble5
Presence4
Reverb2
Master7
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Guitar
PICKUPbridge TONE8 VOLUME9
Signal chain

01Headrush 'Black OP' (ProCo Rat model)

Used as a mild gritty push into the amp block to capture the fuzzy chord edge without collapsing into full high-gain

Distortion 2 · Filter 5 · Volume 7

02Headrush 'Ambience / Room Reverb'

Post-amp block to emulate the slightly wet studio room decay on the sustained chords

Time 3 · Tone 5 · Mix 2
Why these settings

The original cut used single coils into a cranked edge-of-breakup rig, so your Gibson Les Paul humbuckers require pulling back the guitar volume to 9 and tone to 8 to avoid overwhelming the low-mids. On the Headrush Prime, the Treadplate Raw channel provides the signature thick grunge foundation while the Black OP block set to low distortion adds the classic Rossdale grit. Gain is kept moderate on both stages so the giant sustained power chords stay distinct and resonate without turning to mush.

PRO TIPHit the open F and C chord voicings with a loose, heavy downward brush near the bridge, letting the pick rake across all six strings so the low end booms while the high strings ring slightly out-of-tune.

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