Heaven amp settings — Mooer GE100
The Bryan adams guitar tone for “Heaven”, dialed in for a Mooer GE100 with a Gibson Les Paul Modern. Studio version, Reckless (1984) — signature Keith Scott lead guitar solo and melodic fills
1976 Fender Stratocaster ('The Beast') into cranked vintage Marshall Super Lead / JCM800, Ibanez TS9 Tube Screamer, studio plate reverb and analog delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Presence | 6 |
| Reverb | 0 |
| Master | 7 |
01TS9 Overdrive Block (T.Scream)
Used as a clean mid-boost to tighten low end and add singing sustain into the JCM800 model
02Analog Delay Block (Digital/Analog Delay)
Post-amp/FX position, roughly 380ms for subtle studio spatial depth
03Hall Reverb Block (Hall/Plate)
Replicates the signature Bob Clearmountain Power Station room/plate reverb ambience
Keith Scott used a bright Strat into a cranked Marshall, so for your thicker Gibson Les Paul humbuckers, tone is backed down slightly to 8 while amp mids and presence remain elevated for cut. The TS9 block acts purely as a level-boost into the J800 model to yield smooth, vocal sustain without mud. Modest delay and wet hall reverb recreate the iconic Power Station mix depth.
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These settings are for a Mooer GE100. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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