Heaven amp settings — Mesa Boogie Mark V
The Bryan adams guitar tone for “Heaven”, dialed in for a Mesa Boogie Mark V with a Fender Telecaster Thinline. Studio version, Reckless (1984) — signature melodic guitar solo & fills
1976 Fender Stratocaster ('The Beast') into cranked vintage Marshall Super Lead / JCM800, Ibanez TS9 Tube Screamer, studio plate reverb and delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 4 |
| Mid | 6 |
| Treble | 6 |
| Presence | 4 |
| Reverb | 5 |
| Master | 5 |
01Electro-Harmonix Big Muff
Bypass for the main solo — Keith Scott's tone is classic Marshall/TS9 crunch, not heavy fuzz. If used, keep Sustain at 2 as a mild singing sustain boost into Channel 2 Crunch instead.
02Ibanez TS9 Tube Screamer
RECOMMENDED — not currently owned; tightens low end and pushes upper mids into the amp
03Digital Delay
RECOMMENDED — not currently owned (FX loop, set to ~380ms for studio ambience)
The Mark V's Channel 3 in Mark IIC+ mode delivers the singing liquid sustain and focused midrange of Keith Scott's cranked Marshall without needing external drive. To compensate for the brighter, semi-hollow Telecaster Thinline bridge pickup vs Scott's heavy Strat, roll the guitar tone knob down to 8 and keep the amp's presence low at 4 to eliminate ice-pick highs. Keep the Big Muff bypassed as Scott's iconic solo relies on smooth Marshall tube saturation rather than heavy fuzz clipping.
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These settings are for a Mesa Boogie Mark V. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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