Heaven amp settings — Fender Twin Reverb
The Bryan Adams guitar tone for “Heaven”, dialed in for a Fender Twin Reverb with a Fender Player Stratocaster. Studio version, Reckless (1984) — signature melodic guitar solo and lead fills
1976 Fender Stratocaster ('The Beast') into cranked vintage Marshall Super Lead / JCM800, Ibanez TS9 Tube Screamer, Bob Clearmountain studio plate reverb/analog delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 4 |
| Mid | 8 |
| Treble | 5 |
| Reverb | 5 |
| Master | 7 |
01Ibanez TS9 Tube Screamer
RECOMMENDED — not currently owned; essential to push the ultra-clean Twin into Keith Scott's singing Marshall lead sustain
02Analog Delay / Digital Delay
RECOMMENDED — not currently owned; set to ~380ms quarter-note delay to replicate Bob Clearmountain's studio ambiance
The Fender Twin Reverb has massive clean headroom and a naturally scooped midrange compared to Keith Scott's cranked Marshall. Push the amp's mid control to 8 and keep the bright switch off to temper the Strat's bridge single coil, while raising the volume to get maximum natural tube warmth. An overdrive pedal like a TS9 is strongly recommended to provide the missing saturated sustain, after which you can drop the amp volume to clean headroom levels.
Get this tone on your amp
These settings are for a Fender Twin Reverb. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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