Tone library / Bryan Adams / Heaven

Heaven amp settings — Fender Twin Reverb

The Bryan Adams guitar tone for “Heaven”, dialed in for a Fender Twin Reverb with a Fender Player Stratocaster. Studio version, Reckless (1984) — signature melodic guitar solo and lead fills

Original rig

1976 Fender Stratocaster ('The Beast') into cranked vintage Marshall Super Lead / JCM800, Ibanez TS9 Tube Screamer, Bob Clearmountain studio plate reverb/analog delay

Sustaining, melodic 80s arena rock lead tone with smooth upper-mid push and ambient studio reverb/delay
Amp settings — Fender Twin Reverb
CHANNELVibratoBRIGHToff
GAIN 6 BASS 4 MID 8 TREBLE 5 REVERB 5 MASTER 7
KnobSetting (0–10)
Gain6
Bass4
Mid8
Treble5
Reverb5
Master7
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Ibanez TS9 Tube Screamer

RECOMMENDED — not currently owned; essential to push the ultra-clean Twin into Keith Scott's singing Marshall lead sustain

Drive 7 · Tone 5 · Level 7

02Analog Delay / Digital Delay

RECOMMENDED — not currently owned; set to ~380ms quarter-note delay to replicate Bob Clearmountain's studio ambiance

E.Level 5 · F.Back 4 · D.Time 6
Why these settings

The Fender Twin Reverb has massive clean headroom and a naturally scooped midrange compared to Keith Scott's cranked Marshall. Push the amp's mid control to 8 and keep the bright switch off to temper the Strat's bridge single coil, while raising the volume to get maximum natural tube warmth. An overdrive pedal like a TS9 is strongly recommended to provide the missing saturated sustain, after which you can drop the amp volume to clean headroom levels.

PRO TIPRoll the bridge pickup tone knob back to 8 to tame the high-end snap and pick with the fleshier side of the pick edge to achieve Keith Scott's round, flute-like vocal sustain on the high bends.

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These settings are for a Fender Twin Reverb. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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